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Extreme Metal Bass Is Alive & Thriving In The Frenetic Hands - And Restless Mind - Of Alex Webster For the past 22 years, Alex Webster has pretty much been doing two things: anchoring the seminal death metal band Cannibal Corpse, and pushing himself to wreak technical havoc on the bass guitar. This isn’t just garden-variety shredding, either: Here is someone deeply versed in theory, songwriting in every time signature under the sun, and applying advanced modal scales to death metal. Someone who transcribes his bandmates’ guitar parts so he can conceive boundarypushing lines on his own time.

Someone who actually cares enough to write his own metal bass instructional book detailing a groundbreaking three-finger technique and other tools for anyone seeking metal mastery. Someone who now has a signature Spector bass. Quite simply, at 42, he’s at the top of his game. Maybe you didn’t notice because, well, he’s in a band called Cannibal Corpse. As such, Alex’s typical interview starts like this: Let’s talk about the censorship problems you’ve had in Germany. What is this bloody, gory album artwork all about?

That’s okay—he’s used to it. “I’m like, ‘Well those things are cool, but most of the day I’m thinking about bass and how it works with the band.’ Anything that’s emphasizing music as opposed to controversy is always a welcome question. I mean, I do love horror movies and everything, but the imagery of our band, to me, is absolutely secondary to the music. Kaz Cooke Up The Duff Pdf. ” Hailing from Buffalo, New York, Webster took only intermittent private lessons as a teenager, citing a single high-school music theory course that piqued the curiosity of his arithmetic-oriented brain. “It was my favorite class—I totally loved it. I’ve always been pretty good at math, and I could then see how math could be applied to something fun.

Since taking that course, I’ve really seen a connection between math and music.” His musical numbers fetish was eventually realized in collaboration with math-metal master guitarist Ron Jarzombek. Their band, Blotted Science, just released an album of too-impossible-to-describe material that embodies Webster’s desire to keep pushing. His main bass influences—Billy Sheehan, Geddy Lee, Steve Harris, Cliff Burton, and Steve DiGiorgio—are all groundbreakers in their own right. And Webster’s instructional book, Extreme Metal Bass [Hal Leonard], could only have sprung from the mind of someone unable to quit while he’s ahead. But his life’s work (as in literally over half his life) is Cannibal Corpse, which he co-founded at age 19 “to be as extreme as possible—to be the heaviest, the fastest, most over-the-top death metal band we could be.” Their 12th studio album, Torture, is chockfull of extremely challenging technical passages, while at the same time delivering the blunt brutality of a classic death metal outfit. It’s tight as nails yet still organically loose, and somehow, always, terrifying. We talked to Alex just as he was leaving for a European tour.

Install Mpi On Windows 7 on this page. The perhaps predictable irony is that he couldn’t be a nicer, sweeter guy. Just, you know, don’t tell the Cannibal fans. What do you remember most about your early years as a bassist? I couldn’t hear the bass in a lot of the thrash [metal] I was listening to.

It seemed like the bass was doing exactly what the rhythm guitar was doing, so that’s what I tried to do. I think that shaped my righthand technique, having to learn how to play the really fast stuff with three fingers.

I didn’t realize a lot of these guys were cutting things in half [playing half the notes] or doing something a little different. I’ve always played fingerstyle since we got Cannibal going, just trying to keep up with the guitar players. In thrash, there’s not as much of a bass–drummer connection as there is a bass–guitar connection—at least I didn’t see it that way in the beginning. Did you always play with three fingers?

When I started, I played fingerstyle with two fingers, and not very fast. Prophet Rise Again Riddim Rarlab more. I could get going to a respectable speed, but not something crazy like Jeff Berlin or Juan Alderete. But then we did a show with Cynic and Malevolent Creation. Cynic’s bass player, Tony Choy, played with three fingers, and Malevolent Creation’s bassist plucked with four.