Join Steve Grisetti for an in-depth discussion in this video Using the chroma keyer effect, part of Sony Vegas Pro Essential Training (2013). Follow these easy steps to learn how to use the chroma key in Sony Vegas to edit your green. Videoblocks by Storyblocks. And select Sony Chroma Keyer; 4). I try to apply the chroma key green screen plug in and it doesnt work for some reason.

It may not be perfect, but I think this chain of FX works very well for chroma key within Vegas. I only tried it on the one clip I have and want to do some more testing, but I think it's much better than using Sony's Chroma Key FX alone. ----- As you proceed, add these FX to the Track FX rather than the Event FX. Later, after all effects are added, the process calls for you to copy the event; if the FX are on the original event, you will copy those FX with the Event and cause confusion. Step 1: Drag your source clip onto the Vegas timeline. Step 2: Add the Color Curves FX and set to Reset to None. Step 3: Add the Color Corrector (Secondary) FX and set to Saturate Greens preset.

You will immediately notice the green screen becomes heavily saturated and brighter. Step 4: Add the Chroma Keyer FX and set to Pure Green Screen.

Step 5: Rather than use the dropper, adjust each color channel manually. Make small adjustments to find the best middle ground for each color, R, G, and B. Basically, grab the small white arrow on the Red channel slider and move it to the right.

You will notice the background start to get darker. Fsx Eurocopter Ec 135 Fuel here. There will be a point when the background begins to get lighter again. Try to find the spot just before it begins to lighten.

This is your sweet spot for the Red Channel. Repeat this for the Green and Blue channels. Step 6: Next, adjust the thresholds and blur amount.

Begin by raising the low threshold and lowering the high threshold. You want to find the point where the green screen completely disappears without removing the edges of your subjects.

Remember that there are adjustments left to go through so it may not be perfect yet. Once you find the best place for the thresholds, raise the blur amount to allow a smoother look to the edges of your subjects. But not too much. Step 7: Most DV sources inherently have a green tint to them. CCD's seem to be more sensitive to the color green. This is why most DV Chroma Keying is done in green and why most film is done in Blue. Now, since we boosted all of the green in step 3, it makes our subjects a little too green as well.

By adjusting our color curves we can clean up our Chroma Key a little more. It's best to only adjust the lows of the image, since we want to keep the highlights as bright as possible to pick up the green screen. Spend some time now fine tuning using the Color Curves FX. Click on the Color Curves FX in your FX chain, click the Channel drop down list, and choose the Green channel. Carmen Bruma Carte 3s Pdf Merge. Double click in the lower quarter of the line to create a tangent then slowly pull that tangent point to the right.

Watch your image closely as you move it around. You probably won’t have to move it much.

You want to pull a little of the green out of the blacks and subjects but you don't want to throw the color balance off completely. Step 8: Go back to your Chroma Keyer FX and make small adjustments to the thresholds, the blur amount, and the color adjustments. If finer tuning is still needed, you can also make small adjustments to your other FX in the chain as well. Step 9: Change the Chroma Keyer FX to Show Mask Only.